Elegant gold script spelling 'Eliot' on a black background.

The Art of the

Classical Guitar

Classical concert guitarist artist performing for major concert series and cultural institutions.

PAST PERFORMANCES

  • CARNEGIE HALL, NEW YORK

  • THE KENNEDY CENTER, TERRACE THEATER

  • PHILLIPS COLLECTION

  • STRATHMORE MUSIC CENTER, MAIN HALL

  • JORDAN HALL, BOSTON

  • D.B. CLARK AUDITORIUM, MONTREAL

  • MIMARA CONCERT HALL, CROATIA

  • BALTIMORE CLASSICAL GUITAR SOCIETY

  • D.A.R. CONSTITUTION HALL

  • NATIONAL THEATER, PANAMA

Piotr Pakhomkin

Piotr Pakhomkin is a Russian-American classical guitarist born in Saint Petersburg in 1985, who emigrated to the United States in 1991. Classical Guitar Magazine has hailed him as "one of the bright lights of the younger generation of classical musicians, a player of tremendous skill and sensitivity."

Pakhomkin won the 2016 Respighi International Soloist Competition and made his concerto and solo debut at Carnegie Hall as part of the Chamber Orchestra of New York's Masterwork Series in 2018. He is also First Prize winner of the 2012 Mexican International Guitar Competition in Culiacán, with additional top prizes from the Boston GuitarFest, Great Lakes, Montreal, and European International Guitar Competitions. The Baltimore Sun has praised his "formidable talents." He has appeared in solo and concerto performances at the Kennedy Center Terrace Theater, Jordan Hall in Boston, Panama's historic National Theater, and New York's Dweck Center for Contemporary Culture.

In 2024, Pakhomkin appeared on several Naxos records releases including the album Piazzolla: Music for Guitar. Reviewing the Tango Suite for Fanfare in July 2025, critic Peter Burwasser wrote that "Yuri Liberzon and his guest partner Piotr Pakhomkin, both superb technicians, make the most of the delightfully dense patterns of the score."

La Paloma
Sebastian Iradier
Capricho Arabe
Francisco Tarrega
Sonata No. 6
Nicolo Paganini
Valse Sem Nome
Baden Powell
III. Allegro (La Catedral)
Agustin Barrios Mangore
Odeon (Tango)
Ernesto Nazareth
Sonata in E, K. 380
Domenico Scarlatti
Vals
Jorge Cardoso
A man in a dark suit sitting on a piano bench, playing an acoustic guitar against a neutral background.

PERFORMANCES & ENGAGEMENTS

Piotr Pakhomkin performs across concert series, cultural institutions, and private engagements — bringing the same standard of world-class artistry to a Phillips Collection recital, a Carnegie Hall stage, or an intimate diplomatic salon.

CONCERT SERIES

Presenting Organizations

Available to concert series presenters, chamber music societies, music festivals, and cultural institutions. Past series include Strathmore, the Kennedy Center, and the Phillips Collection — in a single season, simultaneously. Full artist rider, program notes, and promotional materials available on request.

SOLO RECITAL

The Concert Experience

A full solo recital program — 60 to 90 minutes of world-class performance. Programs drawn from the complete classical guitar repertoire, curated for the occasion and the audience. Equally at home on the concert stage and in the intimate chamber setting.

CONCERT & CONVERSATION

A seamless pairing of live performance and spoken conversation — music and insight woven together into a single elegant evening. Designed for foundation dinners, diplomatic receptions, leadership retreats, and donor events where the occasion calls for something beyond entertainment.

DIPLOMATIC & INSTITUTIONAL

Embassy & Foundation Engagements

Private recitals at diplomatic residences, embassy cultural programs, think tank events, and institutional celebrations. Past venues include the Brookings Institution, the Residence of the Ambassador of Japan, and the Maryland State House.

A man playing an acoustic guitar outdoors near a brick building during the evening.

CONCERT & CONVERSATION · SPEAKING ENGAGEMENTS

Where Music Meets Leadership.

Designed for leadership teams, diplomatic audiences, private foundations, and cultural institutions.


Piotr Pakhomkin offers a rare perspective at the intersection of elite artistic mastery, personal discipline, and high-performance creativity. His speaking engagements are not lectures — they are experiences. Music performed live, ideas articulated with precision, conversation opened with genuine insight. Each engagement is curated for the specific audience, occasion, and intention of the host.

PERFORMANCE UNDER PRESSURE

The discipline of mastery — what it takes to perform with precision under the highest stakes, and how those principles apply to leadership, diplomacy, and excellence in any field.

MUSIC AS DIPLOMACY

How music has always served as the most powerful form of cultural exchange — and what Washington's diplomatic community can learn from the concert stage.

THE PURSUIT OF EXCELLENCE

A behind-the-scenes exploration of the daily discipline, artistic courage, and long-term commitment required to reach and sustain the highest level of any craft.

SPAIN

Albéniz & Tárrega

SCARLATTI · ALBÉNIZ · TÁRREGA

From the glittering courts of 18th-century Madrid to the cafés of Andalusia — the guitar as Spain's most eloquent voice. Flashing with color, rhythm, and the unmistakable soul of the peninsula.

Three Curated Programs.

THE AMERICAS

Barrios & Piazzolla

BARRIOS · LAURO · PIAZZOLLA · VILLA-LOBOS

The classical guitar as the heartbeat of the Americas — from the jungles of Paraguay to the milonga halls of Buenos Aires. Passion, nostalgia, and fire.

BAROQUE & CLASSICAL

Bach & Beyond

BACH · ABEL · TELEMANN · SCARLATTI

The architecture of the Baroque — precision, counterpoint, and the timeless voice of the guitar in its most formal and profound register.

PRESS & RECOGNITION

"Virtuoso"

WYPR, NPR

"One of the bright lights of the younger generation of classical musicians — a player of tremendous skill and sensitivity."

CLASSICAL GUITAR MAGAZINE

"Pakhomkin's formidable talents are uniquely suited to Rodrigo's Concerto — making us want to hear it again."

BALTIMORE SUN

"His performance was so compelling that the audience didn't wait for the end of the piece to applaud, but awarded him after each movement."

THE CAPITAL